Please note The Iron Ghost is a sequel to The Copper Promise, so it is entirely likely that this review may contain minor spoilery type stuff. Don’t say I didn’t warn you! Wydrin of Crosshaven, Sir Sebastian and Lord Aaron Frith are experienced in the perils of stirring up the old gods. They are also familiar with defeating them, and the heroes of Baneswatch are now enjoying the perks of suddenly being very much in demand for their services. When a job comes up in the distant city of Skaldshollow, it looks like easy coin – retrieve a stolen item, admire the views, get paid. But in a place twisted and haunted by ancient magic, with the most infamous mage of them all, Joah Demonsworn, making a reappearance, our heroes soon find themselves threatened by enemies on all sides, old and new. And in the frozen mountains, the stones are walking… Last year Jen Williams delivered a rock solid debut in the form of The Copper Promise. Chock full of engaging characters, a cracking plot and more action than you could shake a big pointy stick at it was a successful reimagining of traditional fantasy tropes injected with a modern…

Edinburgh, 1888. A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man’s maid swears she heard three musicians playing before the murder. But with no way in or out of the locked practice room, the puzzle makes no sense… Fearing a national panic over a copy Edinburgh, 1888. A virtuoso violinist is brutally killed in his home. Black magic symbols cover the walls. The dead man’s maid swears she heard three musicians playing before the murder. But with no way in or out of the locked practice room, the puzzle makes no sense… Fearing a national panic over a copycat Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey’s new boss – Detective ‘Nine-Nails’ McGray – actually believes in such nonsense. McGray’s tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next… Over the last couple of years, I’ve started to really enjoy the odd foray into the realms of historical crime fiction. It strikes me that the…

Toby’s life was perfectly normal . . . until it was unravelled by something as simple as a blood test. Taken from his family, Toby now lives in the Death House; an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium. No one returns from the sanatorium. Withdrawn from his house-mates and living in his memories of the past, Toby spends his days fighting his fear. But then a new arrival in the house shatters the fragile peace, and everything changes. Because everybody dies. It’s how you choose to live that counts. As a rule, the things that frighten me are the things I tend to become most obsessed with. Death is right up there at the top of the list. It’s that ultimate fear of the unknown and I actively spend a great deal of my free time thinking about it. I know that may sound a horribly morbid, but honestly it not. I’ve come to the conclusion that this…

The angels at God’s office complex regularly turn out amazing projects. Lucifer happens to be working on the development of humans, within the larger Creation project. The other angels involved seem satisfied creating beings that aren’t living or feeling, a major problem, since Lucifer needs to create actual personalities before the fast approaching release date. To top it all off, he needs to fit rebelling against the Creator into his busy life if he ever wants to get a corporate promotion. Lucifer explores good and evil, fate and free will, and office politics in Heaven. Why was Lucifer cast out from Heaven? What caused the rift between him and the bigwigs in upper management? Did Lucifer fall, or was he pushed? Anyone who has ever worked in an office cubicle will appreciate the version of Lucifer who inhabits this tale. When we first meet him, he isn’t quite the vision of Hell that most are familiar with, far from it in fact. This isn’t anything close to the Father of Lies at all. He is a company man who relishes his work and likes nothing better than puzzling things out. The change that slowly starts to occur within our lead…

Flamboyant, charismatic Matthew Cannonbridge was touched by genius, the most influential creative mind of the 19th century, a prolific novelist, accomplished playwright, the poet of his generation. The only problem is, he should never have existed and beleaguered, provincial, recently-divorced 21st Century don Toby Judd is the only person to realise something has gone wrong with history. All the world was Cannonbridge’s and he possessed, seemingly, the ability to be everywhere at once. Cannonbridge was there that night by Lake Geneva when conversation between Byron, Shelley and Mary Godwin turned to stories of horror and the supernatural. He was sole ally, confidante and friend to the young Dickens as Charles laboured without respite in the blacking factory. He was the only man of standing and renown to regularly visit Oscar Wilde in prison. Tennyson’s drinking companion, Kipling’s best friend, Robert Louis Stevenson’s counsellor and guide – Cannonbridge’s extraordinary life and career spanned a century, earning him a richly-deserved place in the English canon. But as bibliophiles everywhere prepare to toast the bicentenary of the publication of Cannonbridge’s most celebrated work, Judd’s discovery will lead him on a breakneck chase across the English canon and countryside, to the realisation that the…