Struggling with money, raising a child alone and fleeing a volatile ex, Jess McMachen accepts a job caring for an elderly patient. Flo Gardner—a disturbed shut-in and invalid. But if Jess can hold this job down, she and her daughter, Izzy, can begin a new life. Flo’s vast home, Nerthus House, may resemble a stately vicarage in an idyllic village, but the labyrinthine interior is a dark, cluttered warren filled with pagan artefacts. And Nerthus House lives in the shadow of a malevolent secret. A sinister enigma determined to reveal itself to Jess and to drive her to the end of her tether. Not only is she stricken by the malign manipulation of the Vicarage’s bleak past, but mercurial Flo is soon casting a baleful influence over young Izzy. What appeared to be a routine job soon becomes a battle for Jess’s sanity and the control of her child. It’s as if an ancient ritual was triggered when Jess crossed the threshold of the vicarage. A rite leading her and Izzy to a terrifying critical mass, where all will be lost or saved. It’s nearly Halloween so it seems appropriate that this week’s review visits the darker side of human…

Money’s tight and their new home is a fixer-upper. Deep in rural South West England, with an ancient wood at the foot of the garden, Tom and his family are miles from anywhere and anyone familiar. His wife, Fiona, was never convinced that buying the money-pit at auction was a good idea. Not least because the previous owner committed suicide. Though no one can explain why. Within days of crossing the threshold, when hostilities break out with the elderly couple next door, Tom’s dreams of future contentment are threatened by an escalating tit-for-tat campaign of petty damage and disruption. Increasingly isolated and tormented, Tom risks losing his home, everyone dear to him and his mind. Because, surely, only the mad would suspect that the oddballs across the hedgerow command unearthly powers. A malicious magic even older than the eerie wood and the strange barrow therein. A hallowed realm from where, he suspects, his neighbours draw a hideous power. It’s nearly Halloween so it seems appropriate that this week’s review falls very much into the horror genre*. The chance of a new beginning is an enticing prospect, the opportunity to wipe the slate clean and start afresh. In Cunning Folk by…

One million years of evolution didn’t change our nature. Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect. Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life. Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh’s caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain. Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene…

These selected terrors range from the speculative to supernatural horror, encompass the infernal and the occult, and include stories inspired by H. P. Lovecraft, Robert Aickman and Ramsey Campbell. Hasty for the Dark is the second short story collection from the award-winning and widely appreciated British writer of horror fiction, Adam L. G. Nevill. The author’s best horror stories from 2009 to 2015 are collected here for the first time. As a little treat, seeing as it’s Halloween, I thought I might just squeeze in an extra review this week. We began October with an Adam Nevill review, and in a weird twist of fate we’re ending October with one. Towards the tail end of 2016 I read Some Will Not Sleep, a self-published collection of Adam’s short stories from the beginning of his career. A year later and a second collection has materialised, Hasty for The Dark. So, without further ado, on with the show… On All London Underground Lines – I’m really not a fan of underground trains. As a rule, tube stations make me feel claustrophobic and uncomfortable. Just imagine you were stuck underground constantly reliving the same mind-numbing, brain-smothering horror again and again. The first story…

A bestial face appears at windows in the night. In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer’s novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author’s own. Adam L.G. Nevill’s best early horror stories are collected here for the first time. Seems entirely apt, what with Halloween being just around the corner, that this week’s review falls squarely into the horror genre. Some Will Not Sleep is collection of Adam Nevill’s short fiction that were original published in the period between 1995 to 2011. Eleven wonderfully macabre tales that cover the whole gamut of the horrific. The supernatural rubs shoulders with the bizarre, body horror and…