Plotters are just pawns like us. A request comes in and they draw up the plans. There’s someone above them who tells them what to do. And above that person is another plotter telling them what to do. You think that if you go up there with a knife and stab the person at the very top, that’ll fix everything. But no-one’s there. It’s just an empty chair. Reseng was raised by cantankerous Old Raccoon in the Library of Dogs. To anyone asking, it’s just an ordinary library. To anyone in the know, it’s a hub for Seoul’s organised crime, and a place where contract killings are plotted and planned. So it’s no surprise that Reseng has grown up to become one of the best hitmen in Seoul. He takes orders from the plotters, carries out his grim duties, and comforts himself afterwards with copious quantities of beer and his two cats, Desk and Lampshade. But after he takes pity on a target and lets her die how she chooses, he finds his every move is being watched. Is he finally about to fall victim to his own game? And why does that new female librarian at the library act…
Stylish and camera-obsessed, Naomi and Nathan thrive on the yellow journalism of the social-media age. They are lovers and competitors—nomadic freelancers in pursuit of sensation and depravity, encountering each other only in airport hotels and browser windows. Naomi finds herself drawn to the headlines surrounding Célestine and Aristide Arosteguy, Marxist philosophers and sexual libertines. Célestine has been found dead and mutilated in her Paris apartment. Aristide has disappeared. Police suspect him of killing her and consuming parts of her body. With the help of an eccentric graduate student named Hervé Blomqvist, Naomi sets off in pursuit of Aristide. As she delves deeper into Célestine and Aristide’s lives, disturbing details emerge about their sex life—which included trysts with Hervé and others. Can Naomi trust Hervé to help her? Nathan, meanwhile, is in Budapest photographing the controversial work of an unlicensed surgeon named Zoltán Molnár, once sought by Interpol for organ trafficking. After sleeping with one of Molnár’s patients, Nathan contracts a rare STD called Roiphe’s. Nathan then travels to Toronto, determined to meet the man who discovered the syndrome. Dr. Barry Roiphe, Nathan learns, now studies his own adult daughter, whose bizarre behavior masks a devastating secret. David Cronenberg’s creative bona…
On crowded streets, in the town squares and half-empty tower blocks, the lonely and lost try to make a connection. A weary gumshoe pounds the reeking sidewalks, seeking someone he knows he will never find. Violence loiters in blind alleys, eager to embrace the unsuspecting and the reckless. Lovers are doomed to follow treacherous paths that were laid long before they first met. This city is no ordinary place. Here, the underworld has surfaced; dreams melt into reality and memories are imagined before they are lived. Ghosts and monsters, refugees and travellers – the voices of Communion Town clamour to tell the stories of the city, stories that must be heard to be believed. The first thing that struck me about Communion Town was the premise. It’s an interesting idea, bringing together a collection of ten short stories that attempt to capture the heart and soul of an entire city. Each story focuses on different people at different times in the city’s history, but all trying to offer some insight into the place that they inhabit. The big question though, is does it actually work? Well, for the most part yes, it does. I’ll come back to that later. First…